How Many Rejections Can You Take?

pexels-photo-997725.jpeg

Comparison is the thief of joy. I’m positive Teddy Roosevelt wasn’t talking about writers when he said that, but for those of us still in the aspiring-to-be-published category, it most definitely rings true.

When you’re the person still wondering if you can ever complete your first draft, or considering stabbing your eyes out during your first round of edits, or questioning if it’s your query letter or manuscript that is the cause of multiple rejections, seeing others’ success stories can make you doubt yourself. Why haven’t you gotten that far? Why aren’t you published? Scratch that–why is it taking so long to finish the first draft?

These doubts can quickly shift to negative thoughts. You know, the I’m-not-really-a-writer thoughts. The I’m-not-good-enough thoughts. The why-is-it-so-easy-for-everyone-else thoughts. It’s like a disease that spreads in your brain, doubt. But fear not! There is an antidote.

At the end of April, Caitlin LaRue started a #authorstats Twitter thread asking published authors to share their stats: how long it took to get an agent or deal, how many rounds of revisions, how many manuscripts, etc. The responses were eye-opening and ranged from a year to a lifetime. In other words, there is no timeline. The path is sometimes circuitous. No two journeys are the same. And for the love of all that is holy in Writing Land, don’t compare your beginning to someone else’s middle. Don’t let all that comparing take your joy.

What if you need a boost? Something to give you some confidence?

Submit something–just don’t forget that your timeline is your own.

When I first sat down and seriously decided I was going to write The Devil Inside Me, I learned as much as I could about the industry. One recommendation suggested writing and submitting short stories (or articles for you non-fiction writers) to build your publishing resume. My initial response was why? I didn’t want to be a short story writer; I wanted to be a novelist. And then, as I mentioned in “Just Submit the Story Already,” @HollyWrites13 and @AvrinKelly tweeted about #52weeks52stories, and I relented–mostly because I thought it would be fun to write a few exploring the backgrounds of my novel’s characters. I had no real plan to submit them–I wanted them to be exploratory and add some back story.

So I wrote a few, and, to my surprise, I genuinely loved one of them. “What have you got to lose?” became my mantra, and I submitted it. Repeatedly. And the rejections came, and they did indeed sting, but I remembered Stephen King. As a kid, long before he was published (in anything, not just his novels), he put all of his rejection letters on a nail in the wall. In his book On Writing, he said, “the nail in my wall would no longer support the weight of the rejection slips impaled upon it. I replaced the nail with a spike and went on writing.” If repeated rejections were good enough for Stephen King, they’re good enough for me.

So, my #authorstats? In April, my short story “Downright Devilish” was published in Fourth & Sycamore’s online literary journal. I wrote it in a couple of days but revised it over a couple of weeks. I submitted it to nine different places via Submittable and received four rejections and four non-responses (typically equated with rejections in the publishing world).

I was so excited that someone liked it that I submitted another. My short story “Fiendish” will be published in a traditional print anthology (I can announce where later in May!). I wrote it in a couple of days and revised over a couple of weeks. I submitted that short story to twenty-three different places and contests via Submittable. This garnered ten rejections and four non-response/rejections. (The remainder are still in-process.)

I am far from what I would consider a published author. For me, that will be a published full-length novel with some respectable sales. And I haven’t won a Glimmer Train contest nor am I published in Strand. (Yet.) BUT, my writerly friends, I can not tell you how indescribable it is to see a YES! We love your work! email.

And now I get it. Those emails, those glorious people who read your work and say hey, I like what you’ve done here–they don’t just add to your publishing bio. They bolster your esteem. They’re a reminder that it’s not a race, that it’s ok to be on your own path. And that, writers, makes you want to write more. The more you write, the better you’ll get. 

Plotting vs. Pantsing

nanowrimo.jpgIt’s April, and that can only mean one thing: Camp NaNoWriMo! National Novel Writing Month is technically November, when crazy ambitious writers all around the world strive to “win” NaNoWriMo by writing 50,000 words in that one month. April’s Camp NaNoWriMo is similar, but each writer sets an individual goal. Some may stick with 50,000 words; some may be trying for writing ten minutes a day. The camaraderie is beyond inspirational!

One of the quintessential questions of NaNoWriMo is this: Are you a plotter or a pantser–or the combination of plantser? When I did NaNoWriMo the first time, I was a *pantser: a fly-by-the-seat-of-your-pants writer. 

In my defense, I had already started that novel prior to NaNoWriMo. I knew where it began, I thought I knew where it was going, and I had a rough idea of how it would get there, so writing out a plot line seemed overkill. I mean, it was all in my brain. And writing is a creative endeavor, not one to plot out, right?

Sort of. Depends. Kinda.

The problem: I hadn’t thought through how some of my plot points would connect (or not). I had a couple of endings in mind, but they seemed impossible to get to, even once I was 50,000+ words in. I didn’t give up right away. I went back and re-worked scenes, moved scenes around (shout out to Novelize), edited, edited, edited. I just couldn’t get it right. So I shelved it. (You can read more about that here.) I do think it’s salvageable, but I think it will need to sit for awhile–and likely, I’ll start pretty much all over. Except this time I’ll plot before I start. This was a lesson I took with me into my current WIP.

I was about 4,000 words in The Devil Inside Me before I did any major plot sketching. I had my idea–then the idea for making it a trilogy–but thanks to my previous experience, I wanted to know where I was going with it before I was 50,000 words in. 

I did some research and came across the “snowflake” method for planning. I loved the idea of taking a one sentence summary of my story and expanding from there. I came up with my suspects and how they’d fit. I decided upon the locations of the murders–and the order in which they’d occur. I gave my poor protagonist a fatal flaw from hell. And I determined which Chicagoans were going to bite the proverbial bullet.

Magically, plot holes appeared. Shouldn’t I have this murder occur at that location? Shouldn’t I have this person die instead of that one? This non-linear method worked so well for me that before long, I was ready for the linear. I created a spreadsheet of scenes. More plot holes. I could see where the story became protagonist-heavy and antagonist-heavy, where I’d need to do some more research. Other obvious issues made themselves known, including my favorite: person A could not have been 18 during a crime committed ten years ago if they are only 21 today. (Did I mention I teach English and not math?)

Knowing these gaps in the beginning made writing that much easier. I still don’t want to try to control every detail because not doing so will allow some spontaneity and creativity to live in the process.  Has it been perfect? Not on your life. But has it given me direction and the freedom to sit down and pound out some good word counts? You bet, especially when you’re working full-time and trying to cram in 2000 words a day. If you’ve tried plotting and failed miserably, give the snowflake method a try. There is no one-size-fits-all writing handbook, after all.

Writers, who has NaNoWriMo’d? Did you love it? Hate it? Win? Fail miserably? Are you a plotter, pantser, or plantser? Share your strategies!

Readers, what are some stories you’ve read that have an impeccable plot that seems perfectly planned? Writers would love to read your well-loved examples!

Sign up HERE to get my blog posts delivered to your mailbox. You can always read them here, but email subscribers will receive extras along the way! Sign up today and receive a snippet of my current project: The Devil Inside Me.

*Confession: Not having a plan is completely and utterly counterintuitive to who I am as a person, but for some reason, writing does not fit into that order for me. As a teacher, my lesson plan units for every class are all tabbed, labeled, divided, and in the same size, color, and brand of binders.  My clothes hang in rainbow (and sleeve-length) order in my closet. I once had a co-worker move everything on my desk to see if I could work without changing everything back first. I couldn’t. I’m that person.

Just Submit the Story Already!

pexels-photo-862115.jpegOn Twitter, I began participating in the #52stories52weeks challenge, which is just as it sounds: write a short story/flash fiction piece every week for a year. Now, let’s be honest– I stopped working on short stories to focus on finishing my WIP, The Devil Inside Me, but that challenge helped me in so many ways. In addition to connecting with fellow writers, I also explored my WIP’s characters through these short pieces. Each one had a background story to tell, from the protagonist to the murder victims to the H.H. Holmes tour guide.

The legend of H.H. Holmes, as you may know, is what prompted me to begin The Devil Inside Me. One of my short stories, “Downright Devilish,” is part of a series that re-imagines the childhood of Holmes, based partly on historical fact. I was hesitant to submit it anywhere because, well, I’m not a published author. But everyone has to start somewhere in order to become that published author, right? So I submitted. And submitted. And submitted. And got rejection. And rejection. And rejection. And…a yes!

Please enjoy “Downright Devilish” as it appears on Fourth and Sycamore’s online literary journal.

Writers, if you have a short story lying around, or some poetry tucked away in a notebook, submit it. That one “yes” will be worth the stack of rejections, I promise.

PS–If you want to read more of The Devil Inside Me, sign up HERE today!

A Writer’s Retreat

books-shelves-architecture-wood-442420.jpegSomewhere in this world is a perfect study. Rich mahogany bookshelves stretch from wall-to-wall and floor-to-ceiling, replete with a little rolling ladder to reach tomes on the uppermost shelves. An enormous window looks out onto a slightly overcast and rainy day, which we all know fosters the feeling of needing to read and write. An oversized chair upholstered in a chocolate-y brown velvet invites a reader to curl up in it, to enjoy the massive fireplace that’s roaring, taking the chill out of the rainy day. The piece-de-resistance of this study is the massive desk that is in the center of the room, its surface large enough to stretch out and take a nap on. The surface is devoid of anything, save maybe a cup of InkJoy and Frixion pens in every possible color. If you’re envisioning a combination of the mansion in Clue and the Gryffindor common room in Harry Potter, you’re in my head. Let’s face it, this is exactly where I picture JK Rowling sitting down to write another world in which she can send me.

I don’t have that study. Send me pictures if you do.

I must admit that there is part of me that thinks if only I had that kind of environment in which to write, surely the words would flow like honey. However, for most of us, our reality of where we write may be nothing more than where we get an opportunity to write.

I typically write at home, but I long to have a local writers’ group. Alas, country life has its cons, and this is one of them. I long to go to workshops and retreats, which are inevitably in “the” city of some sort (for me that would be Chicago–2-3 hours away, depending upon where you’re heading). I, like Chaucer’s tale-tellers, long to go on a pilgrimage, except my pilgrimage would be to the Story Studio in Chicago for write-ins, where the entire vibe is centered around writing and writers and stories and absolutely nothing else.

So, on those days when I start feeling like I haven’t had a good, solid chunk of writing time and I just need one, I plan my own writing retreat. Yes, I’m flying solo, but providing myself dedicated time and space to do nothing but writing has a way of reviving my spirit and my zest for the current WIP. The characters come back to life as I reconnect to the story–a win-win for everyone (except whoever may be the next fictional murder victim).

How do you plan a writing retreat for one? There are a few options, but first, determine your circumstance:

  1. ALL OTHER COHABITANTS HAVE LEFT THE BUILDING–also known as “what every parent dreams of.” In this option, your partner/spouse and all children have vacated the premises and left you alone. Be it for two hours or two days, allow that laundry to sit there, let those dishes stay in the sink. Give yourself that time–and permission–for just you and your creative side.  Set up a writing station–the couch, the dining table, the bed.  Be sure you have drinks and snacks of your choice on hand.

Recently, I felt a hankering to go to Panera, but it was C-O-L-D. My husband was gone all day working, so I had the house to myself. I may not have a big slab of mahogany, but I do have a farm table in my dining room with a beautiful view of the countryside. I lit a few candles, sliced myself a piece of banana nut bread, made some Earl Grey (I had to at least simulate Panera), and settled in to write. It was the most productive I’d been in days, and I’d like to think that the change of scenery of a different room did that for me.

2. YOU CAN LEAVE THE BUILDING.  Escape! It’s underrated, really.  Panera and our local library are two of my favorite places to write because I can avoid seeing what needs to be done at home. Explore your town or city. Is there a nice quiet nook in the public library?  Are you a Starbucks fiend? Bonus in some places: free wi-fi.

3. YOU CAN LEAVE THE BUILDING FOR A GLORIOUS WEEKEND.  Ah, this is my dream. Financially, it’s not always feasible, but thanks to Groupon and a great downtown-hotel deal, I’m planning a Chicago-escape weekend for myself. A change of pace, a new vista–both of these can help shake up the writer inside of you. Bonus: Take a train if you can. Great for people-watching, a train provides not only character-fodder and often free wi-fi, but also uninterrupted writing time.

Need some more inspiration for where to write? Check out Kristin Pope’s 22 Places to Write blog post on The Write Life for plenty more.

Writers, what are some of your favorite places to write? Share with us–we are all looking for ideas!

Readers, I’ve rambled on about the best places to write, but writers and readers are often one in the same. What are your favorite places to read?

Sign up HERE to get my blog posts delivered to your mailbox. You can always read them here, but email subscribers will receive extras along the way! Sign up today and receive a snippet of my current project: The Devil Inside Me.

pexels-photo-42408.jpeg

Editing, aka Negative Word Count

pexels-photo-261753.jpeg

Editing. The bane of some writers’ existence. This week I’ve been editing my most recent chapter in The Devil Inside Me, and I’ve been having a hard time following my own advice. In some ways I enjoy editing because it means I get to tighten everything up from character descriptions to plot lines. But what I hate about it, I truly hate: the disappearance of words from my beautiful word counter on the screen.

Logically, I know that is nonsensical. If I’m to tighten up my text, words will have to go. That doesn’t mean that I enjoy the feeling of work escaping into the ether. It’s been especially hard the last two weeks for me to go into editor mode from the must-get-butt-in-seat-and-words-on-page mindset that I mentioned in my post, “Finding Time to Write (and Read!)”.

And then, as if the writing gods could read my mind, Lauren Sapala’s blog post arrived in my inbox. All I saw was the subject line, and my gut heaved a sigh of relief: “Writing Progress Does Not Always Equal Word Count.”

Like the writing gods could read my mind, I tell you.

Guest blogger Anna-Marie O’Brien is behind this nugget of truth. Progress is more than just a word count. Sometimes you have to just let the book take you where you need to go. She says, “I’ve come to find that there is a push and a pull to writing…You have to go with the flow. But then, you also have to steer the ship.” Amen. For those of us who struggle with getting a word count in every single day and feel guilty when we don’t, this is a beautiful reminder that sometimes that’s not what it’s about. Sometimes you might need to get lost in research for a couple of hours. Sometimes you might just need to noodle over a character’s situation for a few days. And if that’s your way, that’s your way. Much gratitude to Anna-Marie for penning this post and to Lauren for sharing it!

Writers, do any of you fall in this category? Do you struggle with not fitting in the write-X-number-of-words-every-day form? How do you deal?

Readers, last week I shared a snippet of The Devil Inside Me. If you’d like to read even more, please sign up for my emailing list here!

 

 

Finding the Time to Write (and Read)

pexels-photo-707676.jpeg

Finding time to write and read can be challenging if you have a full-time job or children to tend to–or both. I teach high school English, and the demands of planning and grading for a writing-focused curriculum (for three grade levels) often cuts into my personal time. This is a way of life for many teachers; it’s just part of the job.

When I decided to be serious about putting The Devil Inside Me out there, I knew I couldn’t just write when the muse showed up. I would need to carve time out of my schedule. I’m a believer of the mantra “we make time for what’s important to us,” and this writing endeavor was important to me.

So, I crafted a schedule of goals for the year. That schedule included research, development of a website, and this blog. Each of those in turn added more to the schedule: trips to Chicago to capture the essence of a building or a nasty winter day, learning how to use WordPress and plug-ins, educating myself on creating a blog that could be meaningful to others. I wasn’t dedicating my “writing time” solely to writing; rather, I was dedicating my writing time to learning about the craft and how to get my work out there. Part of that included setting aside time each week for reading.

We all have challenges that take up writing/reading time. I live in the country. That translates to a 20 minute trip to get just about anywhere; to go to the nearest “city” means 30-40 minutes. (And I don’t mean Chicago–that’s 2-3 hours!) When a fellow writer serendipitously posted on social media that dictation made her commute productive, a light bulb went off. Why hadn’t I thought of that, especially when I listen to audiobooks on long trips? 

My next 30 minute trip into “the city” produced 1400 words. Second trip? 1200.  Third? 1300. I started simply–I’m only using Google Docs and my cell phone’s microphone. Now, this means you’ll end up with text that reads as follows: “ I always had these go floating around in my head goes spooky.” But it’s worth it to attempt to translate myself for the sake of having WORDS ON THE PAGE. Another plus: My inner editor is hogtied because I can’t look at my phone–all I can do is talk. This results in higher word counts in less time.

If you find yourself in your car frequently, perhaps this can work for you too! There are other tools that do a better job than my set-up. Joe Warnimont’s post on The Write Life lists several, including the well-known Dragon Dictation.

Writers, do you currently use voice-to-text to help with your writing? If so, share your tips and tricks in the comments!

Readers, do you love audiobooks, or do you need that paper in your hand?

Sign up HERE to get your hands on a snippet of The Devil Inside Me. Subscribers receive additional extras along the way!  

Bootcamp for Writers!

A few people inquired about the bootcamp I mentioned in a previous post, so here are a few details!

Once I decided to treat this writing endeavor seriously, I knew I would have to push myself outside of my comfort zone. Way outside of my comfort zone. I would have to do the unthinkable: share my writing. Gasp! The horror! I would have to seek advice from professionals. I would have to give myself permission to try, to fail, to succeed.

When I was first brave enough to share my writing, I chose with intention: our librarian, who is a former English teacher. My first comment was “be gentle.” Then I turned around and said, “Scratch that. Be brutal.” She was both–and I’m grateful.

Back when the idea for The Devil Inside Me arrived in my head, I genuinely thought I had a good premise that people would enjoy to read and publishers would see as potentially profitable–but, I wanted some type of acknowledgement of that. One day while perusing the blogs on Writer’s Digest, I stumbled across this gem: Agent One-on-One Bootcamp–Your First Ten Pages. Yes, it cost money. No, Writer’s Digest is not paying me for this commentary. Yes, it was worth every penny. (Please note they do not have an active version of this bootcamp at the moment, but I included a link for the description.)

Here’s how it was shaped: You watch a couple of webinars. You edit your first ten pages of your manuscript according to those general-but-detailed how-to-write-a-novel videos. You submit those ten pages to a participating agent. The agent provides you with detailed revision notes. You revise and resubmit. The agent provides you with a last commentary on your revisions.

Why is this valuable? First, I was able to get the confirmation that, yes, I had a sale-able concept. Yes, I have some writing skill–and perhaps more importantly, I was able to revise according to the agent’s suggestions. No one was knocking down my door asking me to send them more, but it did give me the confidence I needed to make sure that I wasn’t on some crazy train to deluded-land.

Furthermore, the agents available were reputable and well-known. Writer’s Digest made it clear who they were in advance, so I was able to research the agency and the agents themselves. I was also able to select which agent I wanted to submit to–who happens to represent (and write) in the mystery genre. 

Clicking send was simultaneously nightmarish and euphoric. Receiving her revision notes was simultaneously defeating and anti-climactic. I must have read the email fourteen times and went through something that felt like the stages of grief in a matter of hours. (Apparently I am not alone: Check out Janelle Drumwright’s Carve post on the very topic.)

You know, denial: She doesn’t know what she’s talking about. I’m the next William Shakespeare. Anger: But that point-of-view is an absolute must-have! See denial. Bargaining: Well, maybe if I had… Depression: She’s right. She knows what she’s talking about. I will never be a writer. Acceptance: Hey, she had some positive comments–maybe I should just try revising according to what she wants.

I got over myself. I made the revisions (though I especially despised the point-of-view change) and murdered my darlings. And what do you know? Praise and a comment of “you have a good chance of selling this once you’ve polished” was worth my warp-speed grieving process.

What did I learn?

INVEST A LITTLE

I balked a little at spending the money. I’ve read that you need to invest in yourself and your endeavors, no matter what they are, if you want to move forward and improve. This was well worth the money to give me the boost of confidence that I wasn’t completely out of left field.

I have since invested in paid memberships for several groups that will provide me with networking and conferencing opportunities: The Mystery Writers of America, Sisters in Crime, Chicago Writers Association, Indiana Writers’ Consortium, and Writers Guild of Indiana. I’ve also invested serious time in prepping this website and blog in the hopes that it will help me spread the word of my endeavors and help others who are on the same path. 

LISTEN TO THE EXPERTS

I also balked a little at the agent’s suggestions. Couldn’t she see my vision? Once I got to the stage where I believed there was no harm in trying, I did just that–and as I made those revisions, I could see what she meant. Furthermore, after the bootcamp, I read my manuscript (still a WIP) from start to finish and was able to revise more problem areas.

DO YOUR RESEARCH–ON EVERYTHING

One of the most important take-aways from this experience was to make yourself as knowledgeable as possible. The internet is a magnificent beast–use it. From creating a website to what to include on blog posts to how to utilize social media to finding an agent to novel length to how to self-publish without getting taken…it’s all out there. I had read reviews on other bootcamps where the agents weren’t known, or they weren’t responsive, or their advice was canned. I dug around until I felt confident that the agents at this particular bootcamp would be what I needed. The more information you can arm yourself with, the better. Just don’t research so much you stop writing!

Writers, what types of classes, bootcamps, or conferences have you attended? What value did they provide you?

Readers, every time we edit and revise, we are doing it with you in mind. What are the most important features of a story for you? Is it the characters? The plot? The writing style? Why?

Sign up for my mailing list HERE to receive a snippet of my current project: The Devil Inside Me. I’d love to hear your comments!

I signed up for a writing conference…what was I thinking?

pexels-photo-269448.jpeg

When I participated in Writer’s Digest’s First Ten Pages Boot Camp, one of the features was a lengthy, very open Q&A with our critiquing agent. One question posed in my group was this: What, aside from a polished manuscript and a stand-out query letter, can writers do to get published?

Paula Munier of Talcott Notch Literary Services suggested writing conferences. Why wouldn’t you want to meet like-minded people, network with agents and editors, attend mini-classes on everything from finding an agent to reworking point-of-view? 

I began researching (while the introvert inside of me shrieked, “Strangers! Small talk!”) and discovered the Indiana Writing Workshop–not terribly far from me, with a reasonable cost and a featured agent on my dream-agent list. 

In the one day conference, there are opportunities to pitch multiple agents. You can also have Chuck Sambuchino critique your query letter. (I will share the results, no matter how embarrassing.) Classes cover publishing options, finding an agent, a first chapter critique-fest, revising, and marketing.

All of these pieces fit my needs perfectly, so I signed up last month. And now that it’s getting closer, I’m starting to question what the heck I was thinking!

Lucky for me, just like with Lauren Sapala’s serendipitous post last week that fanned the writing flame inside me, a little bit of kismet came my way when I saw this older post from The Muse Crew. (Thank you to D. A. Henneman for sharing the blog link!) Four of the blog’s contributors attended the same conference and reported back for their readers. Here is a sampling of their advice:

“Pitch to an agent in your genre. Research your genre to find out what is currently being sought after, then consider how your story matches. Think of it like a job interview – find out what they want, then share what you have to offer and how you can meet their needs.”

“You have less than 15 minutes to shine, so put your best foot forward.”

“Consider what other popular authors in your genre have a similar writing style to your own. Often agents will ask you about your favorite author or if your writing is similar to any well known author. Agents also like to know if you have published anything else, if you are working on anything else and whether your story is more plot driven or character driven. Be prepared to answer these questions.”

“I highly recommend doing this! It forces you to practice describing your work in a concise way, it gives you an idea if your story ideas are interesting to those who market them…”

While I’m still a little nervous, The Muse Crew’s advice reminded me why I’m doing this. If I want people to read this story, then I have to–gulp–let people read this story.

What kind of experiences have you had at writing conferences? I’d love to hear about them–the good, the bad, and the horrific!

My Writing Is a Mess–and So Am I

book-address-book-learning-learn-159751.jpeg

We interrupt this regularly-scheduled blog post to share a must-read from Lauren Sapala: “Writing Is Messy. That’s Just the Way It Is.” Lauren is the author of The INFJ Writer, a writing guide for introverts, as well as an autobiography, Between the Shadow and Lo. She is also a writing coach whose About Me page says her “blog is meant to nourish, heal, spark, and empower your creative flame,” and she does just that with blog posts such as “Why It’s No Coincidence So Many INFJs (and INFPs) Are Also Writers” and “Coping With Feeling Like You’re Never Good Enough.” How many people–writers or not–need to read that last one?

I had something different planned for a post today, but Lauren’s blog, in conjunction with various writer complaints about motivation and rejection I watched pop up this week on social media, made me feel as if I needed to share this. Right. Now.

First, let me say that I do not know Lauren in any way, short of following her blog for the past couple of months. I also didn’t share with her in advance that I was going to write this post because, well, read on.

In my very first blog post, I shared that I shelved my last attempt at a novel. If I weren’t head-over-heels in love with the current WIP (work-in-progress), I probably would have done the same with it a couple of months ago. I had reached a sticky point–I needed to go back and re-read, find the holes, discover where I was missing some clues, and gasp in horror that I changed the name of a character’s dog three times without ever noticing. (He also went from being a German Shepherd to a black Labrador Retriever in the same space.)

I could go on, but you really don’t want to know. Just ask my critique partner.

The key for me is that I believe in this novel. I believe in the story. I believe in the stories that will come from it. But if I didn’t, I could very easily have said forget it. I know that the writing process is just that–a process, yet mine seemed so very, well, unprofessional. Like I was just piecing things together. Or, as Lauren points out in her blog post: “Finally, I stitched all the pieces together and what I was left with resembled Frankenstein’s monster.”

I re-read, I made copious margin notes, and I started editing. I have finished the first third, which was my stopping point because of a big, gaping hole (and next on my list to write, right after this blog post).

So when Lauren’s glorious blog post arrived in my inbox this week, I read it with my jaw dropped the entire time. It was so incredibly spot on. It wasn’t just me. I wasn’t alone.

Writers–especially those of you who, like me, are unpublished, struggling, questioning yourselves–if you read only one thing today or even this week, please read Lauren’s blog post. She speaks the truth about just how messy writing can be, and how we don’t need to doubt ourselves: “…because I had never written a book before, the whole time I was going through this experience I assumed I was doing something seriously wrong…I chalked my struggles up to…being somehow vaguely ‘stupid’.” 

Isn’t it as if she were reading our minds?!?

Which leads me to why I didn’t contact her about this post: I believe that in this world of people trying to sell their services everywhere, it’s hard to ferret out a genuine compliment, a sincere nod of appreciation. I was so touched and empowered by her post that just sharing the link wasn’t enough–I had to share its impact in the hopes it would reach others as it did me. I’m positive that if you read it, it will do the same to you. Share your thoughts with me–and with Lauren!