Bootcamp for Writers!

A few people inquired about the bootcamp I mentioned in a previous post, so here are a few details!

Once I decided to treat this writing endeavor seriously, I knew I would have to push myself outside of my comfort zone. Way outside of my comfort zone. I would have to do the unthinkable: share my writing. Gasp! The horror! I would have to seek advice from professionals. I would have to give myself permission to try, to fail, to succeed.

When I was first brave enough to share my writing, I chose with intention: our librarian, who is a former English teacher. My first comment was “be gentle.” Then I turned around and said, “Scratch that. Be brutal.” She was both–and I’m grateful.

Back when the idea for The Devil Inside Me arrived in my head, I genuinely thought I had a good premise that people would enjoy to read and publishers would see as potentially profitable–but, I wanted some type of acknowledgement of that. One day while perusing the blogs on Writer’s Digest, I stumbled across this gem: Agent One-on-One Bootcamp–Your First Ten Pages. Yes, it cost money. No, Writer’s Digest is not paying me for this commentary. Yes, it was worth every penny. (Please note they do not have an active version of this bootcamp at the moment, but I included a link for the description.)

Here’s how it was shaped: You watch a couple of webinars. You edit your first ten pages of your manuscript according to those general-but-detailed how-to-write-a-novel videos. You submit those ten pages to a participating agent. The agent provides you with detailed revision notes. You revise and resubmit. The agent provides you with a last commentary on your revisions.

Why is this valuable? First, I was able to get the confirmation that, yes, I had a sale-able concept. Yes, I have some writing skill–and perhaps more importantly, I was able to revise according to the agent’s suggestions. No one was knocking down my door asking me to send them more, but it did give me the confidence I needed to make sure that I wasn’t on some crazy train to deluded-land.

Furthermore, the agents available were reputable and well-known. Writer’s Digest made it clear who they were in advance, so I was able to research the agency and the agents themselves. I was also able to select which agent I wanted to submit to–who happens to represent (and write) in the mystery genre. 

Clicking send was simultaneously nightmarish and euphoric. Receiving her revision notes was simultaneously defeating and anti-climactic. I must have read the email fourteen times and went through something that felt like the stages of grief in a matter of hours. (Apparently I am not alone: Check out Janelle Drumwright’s Carve post on the very topic.)

You know, denial: She doesn’t know what she’s talking about. I’m the next William Shakespeare. Anger: But that point-of-view is an absolute must-have! See denial. Bargaining: Well, maybe if I had… Depression: She’s right. She knows what she’s talking about. I will never be a writer. Acceptance: Hey, she had some positive comments–maybe I should just try revising according to what she wants.

I got over myself. I made the revisions (though I especially despised the point-of-view change) and murdered my darlings. And what do you know? Praise and a comment of “you have a good chance of selling this once you’ve polished” was worth my warp-speed grieving process.

What did I learn?

INVEST A LITTLE

I balked a little at spending the money. I’ve read that you need to invest in yourself and your endeavors, no matter what they are, if you want to move forward and improve. This was well worth the money to give me the boost of confidence that I wasn’t completely out of left field.

I have since invested in paid memberships for several groups that will provide me with networking and conferencing opportunities: The Mystery Writers of America, Sisters in Crime, Chicago Writers Association, Indiana Writers’ Consortium, and Writers Guild of Indiana. I’ve also invested serious time in prepping this website and blog in the hopes that it will help me spread the word of my endeavors and help others who are on the same path. 

LISTEN TO THE EXPERTS

I also balked a little at the agent’s suggestions. Couldn’t she see my vision? Once I got to the stage where I believed there was no harm in trying, I did just that–and as I made those revisions, I could see what she meant. Furthermore, after the bootcamp, I read my manuscript (still a WIP) from start to finish and was able to revise more problem areas.

DO YOUR RESEARCH–ON EVERYTHING

One of the most important take-aways from this experience was to make yourself as knowledgeable as possible. The internet is a magnificent beast–use it. From creating a website to what to include on blog posts to how to utilize social media to finding an agent to novel length to how to self-publish without getting taken…it’s all out there. I had read reviews on other bootcamps where the agents weren’t known, or they weren’t responsive, or their advice was canned. I dug around until I felt confident that the agents at this particular bootcamp would be what I needed. The more information you can arm yourself with, the better. Just don’t research so much you stop writing!

Writers, what types of classes, bootcamps, or conferences have you attended? What value did they provide you?

Readers, every time we edit and revise, we are doing it with you in mind. What are the most important features of a story for you? Is it the characters? The plot? The writing style? Why?

Sign up for my mailing list HERE to receive a snippet of my current project: The Devil Inside Me. I’d love to hear your comments!

I signed up for a writing conference…what was I thinking?

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When I participated in Writer’s Digest’s First Ten Pages Boot Camp, one of the features was a lengthy, very open Q&A with our critiquing agent. One question posed in my group was this: What, aside from a polished manuscript and a stand-out query letter, can writers do to get published?

Paula Munier of Talcott Notch Literary Services suggested writing conferences. Why wouldn’t you want to meet like-minded people, network with agents and editors, attend mini-classes on everything from finding an agent to reworking point-of-view? 

I began researching (while the introvert inside of me shrieked, “Strangers! Small talk!”) and discovered the Indiana Writing Workshop–not terribly far from me, with a reasonable cost and a featured agent on my dream-agent list. 

In the one day conference, there are opportunities to pitch multiple agents. You can also have Chuck Sambuchino critique your query letter. (I will share the results, no matter how embarrassing.) Classes cover publishing options, finding an agent, a first chapter critique-fest, revising, and marketing.

All of these pieces fit my needs perfectly, so I signed up last month. And now that it’s getting closer, I’m starting to question what the heck I was thinking!

Lucky for me, just like with Lauren Sapala’s serendipitous post last week that fanned the writing flame inside me, a little bit of kismet came my way when I saw this older post from The Muse Crew. (Thank you to D. A. Henneman for sharing the blog link!) Four of the blog’s contributors attended the same conference and reported back for their readers. Here is a sampling of their advice:

“Pitch to an agent in your genre. Research your genre to find out what is currently being sought after, then consider how your story matches. Think of it like a job interview – find out what they want, then share what you have to offer and how you can meet their needs.”

“You have less than 15 minutes to shine, so put your best foot forward.”

“Consider what other popular authors in your genre have a similar writing style to your own. Often agents will ask you about your favorite author or if your writing is similar to any well known author. Agents also like to know if you have published anything else, if you are working on anything else and whether your story is more plot driven or character driven. Be prepared to answer these questions.”

“I highly recommend doing this! It forces you to practice describing your work in a concise way, it gives you an idea if your story ideas are interesting to those who market them…”

While I’m still a little nervous, The Muse Crew’s advice reminded me why I’m doing this. If I want people to read this story, then I have to–gulp–let people read this story.

What kind of experiences have you had at writing conferences? I’d love to hear about them–the good, the bad, and the horrific!