Just Submit the Story Already!

pexels-photo-862115.jpegOn Twitter, I began participating in the #52stories52weeks challenge, which is just as it sounds: write a short story/flash fiction piece every week for a year. Now, let’s be honest– I stopped working on short stories to focus on finishing my WIP, The Devil Inside Me, but that challenge helped me in so many ways. In addition to connecting with fellow writers, I also explored my WIP’s characters through these short pieces. Each one had a background story to tell, from the protagonist to the murder victims to the H.H. Holmes tour guide.

The legend of H.H. Holmes, as you may know, is what prompted me to begin The Devil Inside Me. One of my short stories, “Downright Devilish,” is part of a series that re-imagines the childhood of Holmes, based partly on historical fact. I was hesitant to submit it anywhere because, well, I’m not a published author. But everyone has to start somewhere in order to become that published author, right? So I submitted. And submitted. And submitted. And got rejection. And rejection. And rejection. And…a yes!

Please enjoy “Downright Devilish” as it appears on Fourth and Sycamore’s online literary journal.

Writers, if you have a short story lying around, or some poetry tucked away in a notebook, submit it. That one “yes” will be worth the stack of rejections, I promise.

PS–If you want to read more of The Devil Inside Me, sign up HERE today!

Local Author Fairs

books-bookstore-book-reading-159711.jpegAre you a book lover? Are you obsessed with certain authors? Do you wish you could meet them, have them sign your copy of their book, ask them questions? Then check out some of your local author book fairs! It’s a perfect way to do all of the above AND support the arts in your local community. (Aspiring writers, you should go too! Keep reading!)

While I live in the sticks, I am also within an hour of three large (populations over 100,000) cities. There are a plethora of events among them, typically located at public libraries, community colleges, universities, and bookstores. These provide an excellent way to connect with and support your local writers!

Last November, one public library hosted a drop-in fair to celebrate NaNoWriMo. Six local authors were on hand to sell and sign copies of their books. There was a variety of genres from thriller to children’s, and attendees were also treated to complimentary snacks and drinks.

On the same day, another city’s public library hosted a similar event, this time to help a children’s literacy fund. Authors generously donated a proceed of their sales, and the library advertised it as a way to get some holiday shopping done–simultaneously stimulating the local economy, local authors’ pocketbooks, and funds for the non-profit.

Every local author event I’ve gone to has been free for attendees–and often there are free goodies to be had–from refreshments to bookmarks and other book-swag the authors have available. How cool is it to be able to discover local authors, to talk to them about their work, to discuss their processes not only in writing but publishing? Readers, you might find your next favorite, and never underestimate the importance of readers to writers. Without you, who would read our work? For aspiring authors, this is more than just a networking opportunity. Most people are more than happy to share what their path has been like and may be able to offer you hints and advice for your own journey. For example, I took a community education course taught by Joe Chianakas, author of the Rabbit in Red trilogy. He was instrumental in helping me believe that I, too, could travel down the writing and publication path. Thanks, Joe!

Not sure where to find them? Try bookmarking the local college’s website, and start following social media sites for your public library. Google searches may help you find locations you didn’t even know about. That’s how I discovered one of my now-favorite bookstores, Lit Books, and a super-cool Madison book fair called Madtown Author Daze. You’ll forge friendships with booksellers and authors alike.

On April 7th, my local Barnes and Noble will have several local authors representing everything from young adult to paranormal, including Joe Chianakas, Sylvia Shults, J.E. Mueller, Sydney Raine, Alana Hitchell, Ron Swan, and Dylan Nelson. UPDATE: I just found out there will be TWO DAYS of local-author-goodness happening! The following will be at Barnes and Noble on Sunday, April 8th: Jason HendersonNancy FrantzDemetria WilliamsAnne PetersonJessica PetersonBridget NelanCarrie Lowrance, and Ahaveh Maure.

Readers, have you attended a local author fair? What was the best part? How far would you travel to see your favorite author? What/who would you like to see at one?

Sign up HERE to get my blog posts delivered to your mailbox. You can always read them here, but email subscribers will receive extras along the way! Sign up today and receive a snippet of my current project: The Devil Inside Me.

An Excerpt from The Devil Inside Me

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Photo credit: Scott Smith

In honor of the blog being around for two months, an April publication date for a short story, and finally beginning the last third of The Devil Inside Me, here’s an excerpt, introducing Ephraim Trueworthy Webster, our antagonist (though he doesn’t see himself that way). I’d love to hear your feedback via comments, and if you’d like to read more, sign up for my emailing list here!


He was a tall man who looked even taller, cloaked as he was in a long, black duster. He dug in his heels as he took the last two steps to the top of the hill. It was a relaxing view, overlooking the long-abandoned Jilst Saw Mill, headstones dotting the land. The trees along the Suncook River had lost their leaves, allowing the water to come into view. His eyes honed onto a centuries-old carved headstone. He stood in the cold, the mist suspended mid-air. He gazed longingly at the grave, cementing, in his own dark mind, his own dark lineage.

This was it. His life. His liberation. His legacy.

From his stance on the hill, Ephraim Trueworthy Webster surveyed his surroundings. The Gilmanton cemetery was a repository for generations of his family, some of whom likely died at the hands of a blood relative. He could feel that blood running through his veins. He could feel his blood running through his veins. His legacy. And Ephraim Trueworthy Webster was going to revive that legacy for all to see.

#

The subterranean lobby of Chicago’s Museum of Science and Industry was crowded on the free admission day in spite of the typical November weather: It was cold, it was damp, and a grey, overcast sky refused to belie the time of day. No, the weather was not the reason for the crowd. The Chicagoans had come out en masse for the opening day of the museum’s newest and edgiest exhibit: DNA and the Devil of the White City. Thanks to a recent docuseries, Dr. H.H. Holmes once again reigned supreme as Chicago’s favorite, and allegedly first, serial killer. Part science and part history–it was, after all, about the technology of DNA collection and examination–the exhibit was also part gruesomeness. The museum’s leadership had finally admitted that murder was fascinating to the public, and it was going to capitalize on this local media sensation by finally creating its first PG-13 exhibit, special ticketing and parent-permission required. Holmes’ mustachioed and unsmiling face stared down at patrons from one of the enormous posters (G-rated, of course) nearly the height of the lobby, with the words “Are you a descendant of this fiendish mastermind?” emblazoned upon it.

As the lobby clock ticked down the four minutes until the doors would open to the museum proper, a solitary man stood outside, pulled his duster closer around him, and leaned against one of the massive Ionic columns that had been architect Daniel Burnham’s legacy for Chicago during the 1893 World’s Columbian Exposition. This, too, tightened the Museum’s connection to Holmes’ time: It was one of only two buildings from the Exposition that remained in the city, a building contemporary to the years Holmes made Chicago his hunting ground. The front facade with its enormous limestone steps was no longer used as a formal entrance, but the man remained. His coat collar stood turned up. A cigarette faltered between his fingertips. When the 9am clang of St. Thomas the Apostle’s bells rang out, he did not try to enter the museum. When he finally heard the screams, he still did not move, save to stamp out his cigarette.

#

The wind was so severe he could see miniature white caps forming on Lake Michigan from his eleventh-floor room at the Congress Plaza Hotel. Ephraim loved the Congress Plaza. Its views of Grant Park and the Buckingham Fountain only amplified the architectural detail inside and out, and, when restorations were done to the 1893 landmark, they were truly that: restorations. The Congress Plaza might change out its lobby chairs and bar stools now and then, but even when they did, the velvety ambiance evoked was still that of the early 1900s. Turning pages in an old leather-bound album at the tiger oak desk, his reverie was broken by the harsh sound of a nasally reporter on the television.

“The man who charmed his way into the lives of women he’d murder and money-lenders he’d cheat couldn’t charm his way out of death in 1896. And now that we know the monstrous H.H. Holmes is indeed lying in his grave–surrounded by cement, but lying in his grave–and without even a remnant of his Murder Castle left to be turned into a ghastly tourist attraction, Chicago’s first serial killer is likely to fall back into the quiet infamy from which he came.”

He rolled his eyes upward toward the crown molding, shaking his head. It wasn’t right. There was no “infamy” about H.H. Holmes: he was a mastermind of a murderer. Was it politically correct to say so? No. But that didn’t mean that credit wasn’t due. Caesar, Napoleon, Hitler–they were all ruthless despots, but no one could say that they weren’t brilliant and cunning strategists. The same went for Holmes. Why was it so hard for these television reporters to laud him for that? He continued listening, head shaking slightly in disagreement, but his mind was shifting. He was catching only pieces of sentences, then pieces of words, as his mind drifted toward a recent memory, and he could no longer register anything: the reporter’s mouth moved from words and sounds to shapes and silence. He no longer saw the reporter. His mind was firmly elsewhere–on a hill, in Gilmanton, New Hampshire.

Finding Good Books

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I’ve been posting about writing, writing, and writing. So this one is for the readers!

One thing I have discovered on my writing journey is just how many published authors are out there–authors who, though they may not be bestsellers or end-cap sellers at your local bookstore, are quality writers with killer stories to tell.

If you’ve been reading my blog, you know I’m a fan of mysteries and thrillers and crime novels. I like a little historical fiction too (hellooooo The Alienist), and if all of the above are combined, I’m in heaven. But the path to good books is not always obvious, and I prefer recommendations.

Enter Chelsea and her blog: The Suspense Is Thrilling Me. She and two guest reviewers post at minimum a couple times a week, and their reviews are straightforward and honest. Her review of Alafair Burke’s The Wife caught my attention (and, after reading it, I am in total agreement of the excitement she exudes in her post), and I’ve been a follower ever since. If you’re looking for excellent suggestions on what to read next, hop on over to The Suspense Is Thrilling Me!

Bootcamp for Writers!

A few people inquired about the bootcamp I mentioned in a previous post, so here are a few details!

Once I decided to treat this writing endeavor seriously, I knew I would have to push myself outside of my comfort zone. Way outside of my comfort zone. I would have to do the unthinkable: share my writing. Gasp! The horror! I would have to seek advice from professionals. I would have to give myself permission to try, to fail, to succeed.

When I was first brave enough to share my writing, I chose with intention: our librarian, who is a former English teacher. My first comment was “be gentle.” Then I turned around and said, “Scratch that. Be brutal.” She was both–and I’m grateful.

Back when the idea for The Devil Inside Me arrived in my head, I genuinely thought I had a good premise that people would enjoy to read and publishers would see as potentially profitable–but, I wanted some type of acknowledgement of that. One day while perusing the blogs on Writer’s Digest, I stumbled across this gem: Agent One-on-One Bootcamp–Your First Ten Pages. Yes, it cost money. No, Writer’s Digest is not paying me for this commentary. Yes, it was worth every penny. (Please note they do not have an active version of this bootcamp at the moment, but I included a link for the description.)

Here’s how it was shaped: You watch a couple of webinars. You edit your first ten pages of your manuscript according to those general-but-detailed how-to-write-a-novel videos. You submit those ten pages to a participating agent. The agent provides you with detailed revision notes. You revise and resubmit. The agent provides you with a last commentary on your revisions.

Why is this valuable? First, I was able to get the confirmation that, yes, I had a sale-able concept. Yes, I have some writing skill–and perhaps more importantly, I was able to revise according to the agent’s suggestions. No one was knocking down my door asking me to send them more, but it did give me the confidence I needed to make sure that I wasn’t on some crazy train to deluded-land.

Furthermore, the agents available were reputable and well-known. Writer’s Digest made it clear who they were in advance, so I was able to research the agency and the agents themselves. I was also able to select which agent I wanted to submit to–who happens to represent (and write) in the mystery genre. 

Clicking send was simultaneously nightmarish and euphoric. Receiving her revision notes was simultaneously defeating and anti-climactic. I must have read the email fourteen times and went through something that felt like the stages of grief in a matter of hours. (Apparently I am not alone: Check out Janelle Drumwright’s Carve post on the very topic.)

You know, denial: She doesn’t know what she’s talking about. I’m the next William Shakespeare. Anger: But that point-of-view is an absolute must-have! See denial. Bargaining: Well, maybe if I had… Depression: She’s right. She knows what she’s talking about. I will never be a writer. Acceptance: Hey, she had some positive comments–maybe I should just try revising according to what she wants.

I got over myself. I made the revisions (though I especially despised the point-of-view change) and murdered my darlings. And what do you know? Praise and a comment of “you have a good chance of selling this once you’ve polished” was worth my warp-speed grieving process.

What did I learn?

INVEST A LITTLE

I balked a little at spending the money. I’ve read that you need to invest in yourself and your endeavors, no matter what they are, if you want to move forward and improve. This was well worth the money to give me the boost of confidence that I wasn’t completely out of left field.

I have since invested in paid memberships for several groups that will provide me with networking and conferencing opportunities: The Mystery Writers of America, Sisters in Crime, Chicago Writers Association, Indiana Writers’ Consortium, and Writers Guild of Indiana. I’ve also invested serious time in prepping this website and blog in the hopes that it will help me spread the word of my endeavors and help others who are on the same path. 

LISTEN TO THE EXPERTS

I also balked a little at the agent’s suggestions. Couldn’t she see my vision? Once I got to the stage where I believed there was no harm in trying, I did just that–and as I made those revisions, I could see what she meant. Furthermore, after the bootcamp, I read my manuscript (still a WIP) from start to finish and was able to revise more problem areas.

DO YOUR RESEARCH–ON EVERYTHING

One of the most important take-aways from this experience was to make yourself as knowledgeable as possible. The internet is a magnificent beast–use it. From creating a website to what to include on blog posts to how to utilize social media to finding an agent to novel length to how to self-publish without getting taken…it’s all out there. I had read reviews on other bootcamps where the agents weren’t known, or they weren’t responsive, or their advice was canned. I dug around until I felt confident that the agents at this particular bootcamp would be what I needed. The more information you can arm yourself with, the better. Just don’t research so much you stop writing!

Writers, what types of classes, bootcamps, or conferences have you attended? What value did they provide you?

Readers, every time we edit and revise, we are doing it with you in mind. What are the most important features of a story for you? Is it the characters? The plot? The writing style? Why?

Sign up for my mailing list HERE to receive a snippet of my current project: The Devil Inside Me. I’d love to hear your comments!

Writing in 2018

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Expert’s Opinion

Now that January is over and we can forget about all of those goals we made…just kidding! If one of your goals is to further your own knowledge in an area of writing, check out Jane Friedman’s thoughts on what 2018 is going to look like for writers.

Her recent post, “What Does 2018 Hold for Writers?” covers trends in freelancing, including paid email newsletters and Medium; book manufacturing; what’s trending in kids’ books; a round-up of indie authors’ opinions; and a link for Joanna Penn’s round-up on self-publishing. 

Whether you’re starting out in the writing world or you are a seasoned freelancer, Jane Friedman–and her twenty years of experience in the publishing biz–is an endless source of timely information. (I used her blog post about author websites to create mine.) You can’t get a much better curated list than one from her. Enjoy!

I signed up for a writing conference…what was I thinking?

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When I participated in Writer’s Digest’s First Ten Pages Boot Camp, one of the features was a lengthy, very open Q&A with our critiquing agent. One question posed in my group was this: What, aside from a polished manuscript and a stand-out query letter, can writers do to get published?

Paula Munier of Talcott Notch Literary Services suggested writing conferences. Why wouldn’t you want to meet like-minded people, network with agents and editors, attend mini-classes on everything from finding an agent to reworking point-of-view? 

I began researching (while the introvert inside of me shrieked, “Strangers! Small talk!”) and discovered the Indiana Writing Workshop–not terribly far from me, with a reasonable cost and a featured agent on my dream-agent list. 

In the one day conference, there are opportunities to pitch multiple agents. You can also have Chuck Sambuchino critique your query letter. (I will share the results, no matter how embarrassing.) Classes cover publishing options, finding an agent, a first chapter critique-fest, revising, and marketing.

All of these pieces fit my needs perfectly, so I signed up last month. And now that it’s getting closer, I’m starting to question what the heck I was thinking!

Lucky for me, just like with Lauren Sapala’s serendipitous post last week that fanned the writing flame inside me, a little bit of kismet came my way when I saw this older post from The Muse Crew. (Thank you to D. A. Henneman for sharing the blog link!) Four of the blog’s contributors attended the same conference and reported back for their readers. Here is a sampling of their advice:

“Pitch to an agent in your genre. Research your genre to find out what is currently being sought after, then consider how your story matches. Think of it like a job interview – find out what they want, then share what you have to offer and how you can meet their needs.”

“You have less than 15 minutes to shine, so put your best foot forward.”

“Consider what other popular authors in your genre have a similar writing style to your own. Often agents will ask you about your favorite author or if your writing is similar to any well known author. Agents also like to know if you have published anything else, if you are working on anything else and whether your story is more plot driven or character driven. Be prepared to answer these questions.”

“I highly recommend doing this! It forces you to practice describing your work in a concise way, it gives you an idea if your story ideas are interesting to those who market them…”

While I’m still a little nervous, The Muse Crew’s advice reminded me why I’m doing this. If I want people to read this story, then I have to–gulp–let people read this story.

What kind of experiences have you had at writing conferences? I’d love to hear about them–the good, the bad, and the horrific!