A few people inquired about the bootcamp I mentioned in a previous post, so here are a few details!
Once I decided to treat this writing endeavor seriously, I knew I would have to push myself outside of my comfort zone. Way outside of my comfort zone. I would have to do the unthinkable: share my writing. Gasp! The horror! I would have to seek advice from professionals. I would have to give myself permission to try, to fail, to succeed.
When I was first brave enough to share my writing, I chose with intention: our librarian, who is a former English teacher. My first comment was “be gentle.” Then I turned around and said, “Scratch that. Be brutal.” She was both–and I’m grateful.
Back when the idea for The Devil Inside Me arrived in my head, I genuinely thought I had a good premise that people would enjoy to read and publishers would see as potentially profitable–but, I wanted some type of acknowledgement of that. One day while perusing the blogs on Writer’s Digest, I stumbled across this gem: Agent One-on-One Bootcamp–Your First Ten Pages. Yes, it cost money. No, Writer’s Digest is not paying me for this commentary. Yes, it was worth every penny. (Please note they do not have an active version of this bootcamp at the moment, but I included a link for the description.)
Here’s how it was shaped: You watch a couple of webinars. You edit your first ten pages of your manuscript according to those general-but-detailed how-to-write-a-novel videos. You submit those ten pages to a participating agent. The agent provides you with detailed revision notes. You revise and resubmit. The agent provides you with a last commentary on your revisions.
Why is this valuable? First, I was able to get the confirmation that, yes, I had a sale-able concept. Yes, I have some writing skill–and perhaps more importantly, I was able to revise according to the agent’s suggestions. No one was knocking down my door asking me to send them more, but it did give me the confidence I needed to make sure that I wasn’t on some crazy train to deluded-land.
Furthermore, the agents available were reputable and well-known. Writer’s Digest made it clear who they were in advance, so I was able to research the agency and the agents themselves. I was also able to select which agent I wanted to submit to–who happens to represent (and write) in the mystery genre.
Clicking send was simultaneously nightmarish and euphoric. Receiving her revision notes was simultaneously defeating and anti-climactic. I must have read the email fourteen times and went through something that felt like the stages of grief in a matter of hours. (Apparently I am not alone: Check out Janelle Drumwright’s Carve post on the very topic.)
You know, denial: She doesn’t know what she’s talking about. I’m the next William Shakespeare. Anger: But that point-of-view is an absolute must-have! See denial. Bargaining: Well, maybe if I had… Depression: She’s right. She knows what she’s talking about. I will never be a writer. Acceptance: Hey, she had some positive comments–maybe I should just try revising according to what she wants.
I got over myself. I made the revisions (though I especially despised the point-of-view change) and murdered my darlings. And what do you know? Praise and a comment of “you have a good chance of selling this once you’ve polished” was worth my warp-speed grieving process.
What did I learn?
INVEST A LITTLE
I balked a little at spending the money. I’ve read that you need to invest in yourself and your endeavors, no matter what they are, if you want to move forward and improve. This was well worth the money to give me the boost of confidence that I wasn’t completely out of left field.
I have since invested in paid memberships for several groups that will provide me with networking and conferencing opportunities: The Mystery Writers of America, Sisters in Crime, Chicago Writers Association, Indiana Writers’ Consortium, and Writers Guild of Indiana. I’ve also invested serious time in prepping this website and blog in the hopes that it will help me spread the word of my endeavors and help others who are on the same path.
LISTEN TO THE EXPERTS
I also balked a little at the agent’s suggestions. Couldn’t she see my vision? Once I got to the stage where I believed there was no harm in trying, I did just that–and as I made those revisions, I could see what she meant. Furthermore, after the bootcamp, I read my manuscript (still a WIP) from start to finish and was able to revise more problem areas.
DO YOUR RESEARCH–ON EVERYTHING
One of the most important take-aways from this experience was to make yourself as knowledgeable as possible. The internet is a magnificent beast–use it. From creating a website to what to include on blog posts to how to utilize social media to finding an agent to novel length to how to self-publish without getting taken…it’s all out there. I had read reviews on other bootcamps where the agents weren’t known, or they weren’t responsive, or their advice was canned. I dug around until I felt confident that the agents at this particular bootcamp would be what I needed. The more information you can arm yourself with, the better. Just don’t research so much you stop writing!
Writers, what types of classes, bootcamps, or conferences have you attended? What value did they provide you?
Readers, every time we edit and revise, we are doing it with you in mind. What are the most important features of a story for you? Is it the characters? The plot? The writing style? Why?
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